| Red
Shirt Brigade Interview
The Arborvitae press kit boasts, "Equal parts
Beastie Boys aesthetic, Radiohead concept and Elvis Costello craftsmanship,
the Red Shirt Brigade spastically erupt from a post-rock locus to
bring us the sonic equivalent of a thimble full of anti-matter."
What it neglected to tell this media agent was that the skipped
Ridalin treatments that result in chemistry and showmanship on stage
translate to an unpredictable interview.
But, this is part of Red Shirt Brigade's charm;
the boisterous energy that endears the listener to their catchy
indie-pop onstage will sting the interviewer off-stage. Since when
has independent music or the characters that make it fit comfortably
into a little box that is easily manageable for the press, peers
and listening ears? The answer is: It has never been. Though the
menagerie of humorous comments, askew assertions, and jumbled history
that resulted from this interview was a true challenge, the pleasure
was all mine.
Interview conducted by Tim Anderl in person, December
2001. Photos by Jason LaVeris.
Names: Trevor Naud (vocals, guitar), Dan Clark (vocals,
bass), Ryan Allen (drums), Scott Allen (keyboards)
Band: The Red Shirt Brigade
Tim: So how long are you guys
out for on this tour, and how many times have you been on the road
before?
Ryan: This is our fourth tour as a band.
Dan: This is my third tour. I joined a little over a year ago. The
first was a brief five day thing, the summer tour was a little over
a month, and this tour is another five days. We will be playing
a New Year's Eve show in Detroit on Monday.
Tim: That is your hometown?
Ryan: Yes, Michigan.
Tim: Did I read that you guys
met at Central Michigan Univ.?
Ryan: Yes, Trevor and I met at Central, which is a school that is
an hour north of Lansing. It is a small, less-cultured town, so
meeting someone that is into the same music we were into was very
lucky. I didn't go there expecting to make a whole lot of friends
and certainly didn't expect to meet anyone with similar interests.
So, when we met it was awesome
.a god-send. We were both in
bands before and decided to start playing together based on our
common ground.
Tim: Where are you guys from
now then?
Ryan: We are still there. We are both senior journalism majors
we
have a year left. Our concentration is news editiorial.
Tim: Where did the rest of you
meet?
Scott: Ryan and I are brothers.
Ryan: I met him when he came out of my mom's womb. It was a joyous
occasion and he was covered in puss
Scott: Come on man we are talking about our mother. Red Shirt Brigade
had played a couple of shows, and during one practice started jamming
with them on an old Yamaha keyboard that is in our dad's basement
studio. They were playing a show that night and I learned a few
songs for it. Ever since then I've been in the band, bought new
equipment.
Dan: Trevor and I met when he was working at a market down the street
from where I live. I was involved in a amateurish music project
with a kid who worked with Trevor's brother. I heard that Trevor
listened to the same music that I did and that he worked down the
block so I went to the market and confronted him. I asked if he
was Trevor and he said, "No, he's in the back." And I
said, "Show me." And he said, "I'm just kidding,
I'm Trevor." So, we started comparing bands that we liked.
And so then he said that RSB was playing with Wolfie that night.
I was pretty impressed and started following them around to their
shows. I guess they played 25 or 30 shows and I was at about 12
of them before Paul (the original bass player) had to leave the
band and Trevor asked if I could learn to play the band.
Scott: We went over to his house without really telling him anything.
Dan: I'm from Ann Arbor but was going to the University of Michigan
at the time.
Scott: We went out to eat and asked him to be in the band. He was
like, "No way" and was freaking out
then we all did
keg stands together.
Tim: And lit some couches on
fire? (laughter) So your dad helped with the first EP then, right?
Scott: Right. He recorded it. We have a studio down in our basement
and we asked him if we could record with him. Our friend Eric from
Suburban Sprawl Records put it out. We had fun with it
.it
was cool.
Tim: So you ditched you dad and
went all the way to Seattle for your Arborvitae full-length, Home
of The Cannon Saints, right?
Scott: Yes, we went to Seattle and recorded with Chris Walla from
Death Cab For Cutie in between our summer tour and we stopped there
for ten days and recorded with him. In our home studio everything
was digital and we had decided we didn't want to record with digital
again because the drums sounded flat. So, Chris Walla offered to
record us.
Ryan: Basically, we got really lucky. Chris is really supportive
of music. He is a music fan
.not just some guy in a pretty
popular band. I guess he must've seen something in us and decided
he'd like to work with us
.I'm not sure why.
Dan: Because we plied him with money and drugs and boozed him up
and liquored him down.
Ryan: No, he came to us and was like, "Guys, I've been thinking
about recording your full-length and I'd love to do it." So
we thought about it, wrote some songs with Dan, who was our new
bass player
.
Dan: It was really kind of startling, because up until that point,
they'd done all of the leg-work and immediately things started happening
.
Trevor: Before Dan joined we really had difficulty writing songs
at the pace we wanted to. Dan had a lot more free time and fresh
ideas.
Scott: Plus, he is classically trained.
Dan: I played violin when I was very little and was in orchestra
for several years. I tried to learn all of their bass parts before
coming to their first practice. I don't own a bass. The bass I play
is Scott's and the amp is their dad's. The only things that I own
are the pedals and the chords. I learned all the songs from the
first EP on the guitar since it is basically the same fret position
and wowed them by playing all the songs when I showed up to practice.
The first day that I practiced with Red Shirt Brigade, we wrote
the first song on the new record. The first day we wrote a song
and then it was gang busters from then on out. Also, while we are
on the subject, Chris Walla is of like-minds. It was very easy for
us to get what we were looking for because he had a similar opinion
of what things should sound like and was always coming up with ideas
of how to record things differently. He placed mics in weird positions
-- and in terms of what I was playing - all of the distorted bass
on the record was played through a little Marshall practice amp.
It was like a little toy amp
.like the ones that homeless dudes
who play on the street hook onto their belt loops. He was great.
Ryan: Like the amps that you play out of in your underwear in the
basement.
Scott: The naked cowboy.
Tim: Do you guys have a lot of
funny stories from your summer tour? (Everyone talking at once)
OK, let's start here, did you meet any bands that no one should
tour with because they are just off the hook and crazy?
Scott: The Fucktards.
Dan: They were really nice guys, but Salt Lake City is probably
the least hospitable place in the United States of America. We were
looking for a place to stay and the guy who booked the show told
us we could stay on the floor of the venue where we'd just played.
The place was this rabies-infested place with homeless dogs running
in and out.
Ryan: This place, Kilby Court was in an alley and the guy lived
in the alley like two doors away. We were kind of hanging around
looking all mopey-eyed like, "We really need a place to stay."
And he was like, "You can stay at the venue."
Dan: We played a bunch of shows with this band called The "New"
Terror Class
.we played like four or five shows with them.
They played this place a the day after we did and the next time
we ran into them they said that they'd stayed at the dude's house.
We were like, "How did you manage that?" And they said
we just followed him home and walked in. We aren't as bad ass as
The "New" Terror Class though.
Scott: Shout out to URI.
Dan: Shout out to Party of Helicopters, shout out to my man Joe.
Tim: How would you guys describe
your sound -- it's kind of genre-bending - there's indie rock with
a little bit of jazz infused in it. And it has this whole weird
60's pop thing going for it
.
Dan: I think we'd describe it the exact same way. That sounded really
good.
Scott: We all really like a lot of different kinds of music.
Ryan: The thing about our band is that we like different kinds of
music so our band is kind of a melting-pot. We have bands that we
all really like and then we have our unique personal niches of music.
It sort of just comes together. It is cool like that. I'm not sure
if other bands operate like that or not.
Tim: Are there other Michigan
bands that you feel a particular kinship to?
Dan: Judah Johnson and The Recitals are the top two.
Scott: Fabled Automatics.
Dan: The Recital are the single most under-appreciated band in all
of Michigan.
Ryan: One band.
Dan: If we could pick one band it would be The Recital.
Scott: One band that we absolutely hate
.say it on the count
of three
one, two, three The White Stripes.
Tim: Why do you hate The White
Stripes?
Scott: I fucking hate White Stripes. I hate you White Stripes.
Dan: Every town we went to while we were on tour - and we played
small towns - you'd open up the paper and the White Stripes were
there. They are not a bad band, but
.OK, I'll shut up now.
Scott: Meg, you suck at the drums and everything, but your boobs
look good when they bounce.
Trevor: Don't put any of this White Stripes stuff in.
Tim: This is a super cheesy question
that came out of the How To Interview an Independent Rock Band
book, but do you have aspirations to be on a bigger major label,
or are you content?
Dan: Suburban Sprawl for life.
Scott: Being in high school still
Ryan: Being in detention still and eating shitty pizza everyday
Scott: I'm trying to be serious now. Wanting to know what you want
to do in life
.playing music is what I can do best and I would
really like to see this band go somewhere. I'm an asshole.
Ryan: TVT records e-mailed the Red Shirts and asked us to send them
a CD
Dan: You did not tell me about this
Ryan: Yes I did. TVT records, which is a bigger indie-label
.are
they an indie-label
.they e-mailed us
.
Scott: Don't they have Snoop Dogg? Skizim Nizzim My Bizzim
.
Ryan: TVT emailed us and asked to send them a CD. So we were like
fine. Eric sent them a CD and they said they didn't like it. So
that to me says the world is not ready for "The Red."
Fuck TVT, Fuck Capitol, Fuck Epic
.we'll be on JIVE mutha fuckas.
We wanna be on J Records. Ruffhouse mutha fucka.
Dan: My sole aspiration as a musician Is to be interviewed by Ed
Love. Ed Love does a jazz program in Detroit on the NPR affiliate.
Ed Love is a jazz DJ, and we don't even play jazz, but I want to
be interviewed by him in my lifetime. He is sweet and if I'm not
interviewed by him I will die a crackhead. Actually, you will hear
about him in the hospital, and I think one time an entire weeks
broadcast was kept off because
Trevor: He was in the hospital with a broken leg.
Dan: Bullshit! He was cracked out, which is cool because any number
of the great jazz musicians were dope-fiend type fellas. He parties
with those dudes. He interviewed Satchmo
Scott: And Snatchcake.
Dan: And Louis Armstrong. He hangs with those guys, and every time
they come into town Ed Love gets fucked up. I want to be interviewed
by him.

Tim: In one sentence, because
I have to transcribe this, what are your New Year's resolutions?
Scott: Not giving money to Detroit bums. They suck sometimes.
Ryan: To not get my dick caught in a light socket.
Trevor: To play New Years Eve without being too wasted to play.
Dan: Nobody has told the truth so far, but mine is the god's honest
truth
.I am going to quit smoking on New Year's Eve. I also
want to visit the island of Macaws.
Tim: The what?
Dan: Macaws. You know the birds "B." Macaws mutha fucka.
Ryan: (peeking at my sheet) I want to ask this one to the Red Shirt
Brigade
.Has anyone ever written anything about you in print
that was untrue? Did you do anything to get retribution?
Dan: Yes. Nobody gets this straight, Scott is the spazzed keyboard
player and Trevor is the mellow vocalist.
Ryan: And we don't sound like The Anniversary.
Dan: All four of us sing. They didn't have enough microphones tonight
though. This is a fact. This is the Beach Boys.
Trevor: I have a New Year's resolution
.to be compared to the
Beach Boys.
Tim: OK, this is the last
question. Seriously. Are you guys named after the racing team?
Ryan: Yes.
Dan: No.
Trevor: That's funny. OK, yeah.
Dan: This is the story. The Red Shirts were the followers of Guiseppe
Garibaldi. He was a general and one of the high-guys during the
Italian revolution of the 1700s. The Red Bridage were a far left
radical organization, along the lines of Baadermein Hof who were
the premiere leftist organization in Berlin back in the day, in
the 1970s. In America in the 1970s they were the Weathermen
.OK
I'm shutting up now
Scott: No, no
Dan: My dad was an eloquent speaker in the 70s. He was a hippy and
a political dude and he would speak at rallies. He got hit by a
car at a rally. Anyway, he knew some dudes who were Weathermen and
the derived their name from the Bob Dylan song "Subterranean
Homesick Blues." They were a far leftist, radical protest group.
They were the American Red Brigade, Baadermein Hof were the Italian
Red Brigade and we were the etc., etc. Anyway, so we are the Red
Shirt Brigade.
Trevor: UK.
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